| Polish Televised Shakespeares: A Study of Shakespeare Productions within the Television Theatre Format J Fabiszak Motivex, 2005 | 7 | 2005 |
| Crossroads in literature and culture J Fabiszak, E Urbaniak-Rybicka, B Wolski Springer Science & Business Media, 2012 | 6 | 2012 |
| Social attitudes toward cerebral palsy and potential uses in medical education based on the analysis of motion pictures M Jóźwiak, BPJ Chen, B Musielak, J Fabiszak, A Grzegorzewski Behavioural Neurology 2015, 2015 | 5 | 2015 |
| Kenneth Branagh’s Multicultural and Multi-ethnic Filmed Shakespeare (s) J Fabiszak Multicultural Shakespeare: Translation, Appropriation and Performance 12 (1 …, 2015 | 5 | 2015 |
| Szekspir: leksykon M Gibińska, M Kapera, J Fabiszak Kraków: Wydawnictwo Znak, 2003 | 5 | 2003 |
| Elizabethan stage vs. cinema in Kenneth Branagh’s" Hamlet" J Fabiszak Adam Mickiewicz University, 1999 | 3 | 1999 |
| Afterword: Shakespeare theorised and practised J Fabiszak Cahiers Élisabéthains 99 (1), 193-195, 2019 | 2 | 2019 |
| ‘Ugly’Tempests: The Aesthetics of Turpism in Derek Jarman’s Film and Krzysztof Warlikowski’s Stage Production J Fabiszak Eyes to Wonder, Tongue to Praise, edited by Agnieszka Pokojska and Agnieszka …, 2012 | 2 | 2012 |
| THEATRE, TELEVISION, SHAKESPEARE? ON (COUNTER-) REPRESENTATION OF STAGE PERFORMANCES OF SHAKESPEARE’S PLAYS ON TELEVISION: THE CASE OF WARLIKOWSKI’S BURZA J Fabiszak Against and Beyond: Subversion and Transgression in Mass Media, Popular …, 2012 | 2 | 2012 |
| Magic Storms on Polish Television: The Case of" The Tempest" J Fabiszak, N Brzozowska Shakespeare Bulletin 29 (3), 359-369, 2011 | 2 | 2011 |
| The (inter-) theatricality of Marlovian prologues J Fabiszak Adam Mickiewicz University, 1995 | 2 | 1995 |
| The Gdańsk Shakespeare Festival: Four centuries of travelling theatre in Poland U Kizelbach, J Fabiszak Shakespeare on European Festival Stages, 137-56, 2022 | 1 | 2022 |
| Adaptation in Poland: A paradigm shift J Fabiszak, E Kębłowska-Ławniczak Journal of Adaptation in Film & Performance 14 (1), 3-9, 2021 | 1 | 2021 |
| Relocating Jewish Culture in The Yiddish King Lear (1934) J Fabiszak Shakespeare on Screen: King Lear, 157, 2019 | 1 | 2019 |
| Andrzej Wajda’s Two Hamlets and One Macbeth: The Director’s Struggle with Shakespearean Tragedy in the Changing Contexts of Polish History J Fabiszak ANGLICA-An International Journal of English Studies 25 (3), 97-106, 2016 | 1 | 2016 |
| The Taming of the Shrew J Fabiszak MULTICULTURAL SHAKESPEARE-TRANSLATION APPROPRIATION AND PERFORMANCE 12 (27 …, 2015 | 1 | 2015 |
| Corrupted Images of the City or Images of the Corrupted City in Two Screen Versions of Ben Jonson’s Volpone J Fabiszak Images of the City, 161, 2009 | 1 | 2009 |
| Shakespeare’s Histories and Polish History: Television Productions of Henry IV (1975), Richard III (1989) and Othello (1981/1984) J Fabiszak Multicultural Shakespeare: Translation, Appropriation and Performance, 2007 | 1 | 2007 |
| 4 Appropriating Biography The Hybrid" Face" of Shakespeare in Branagh's All Is True J Fabiszak Adaptation and Beyond: Hybrid Transtextualities, 67, 2023 | | 2023 |
| An Appropriated Antipodean Monstrosity Revisited: Jane Campion’s The Piano as a Comment on Shakespearean “Salvage and Deformed Slave” and The Tempest J Fabiszak Polish Journal of English Studies 8 (1), 104-122, 2022 | | 2022 |
Natalia Brzozowskaassociate member, IRCL, CNRS/University of Montpellier 3
