| Building the authentic celebrity: The “Idol” phenomenon in the attention economy C Fairchild Popular music and society 30 (3), 355-375, 2007 | 188 | 2007 |
| Community radio and public culture: Being an examination of media access and equity in the nations of North America C Fairchild, TL Jacobson (No Title), 2001 | 137 | 2001 |
| Pop idols and pirates: Mechanisms of consumption and the global circulation of popular music C Fairchild Routledge, 2016 | 85 | 2016 |
| Deterritorializing radio: deregulation and the continuing triumph of the corporatist perspective in the USA C Fairchild Media, Culture & Society 21 (4), 549-561, 1999 | 72 | 1999 |
| “Alternative”; music and the politics of cultural autonomy: The case of Fugazi and the DC Scene C Fairchild Popular Music & Society 19 (1), 17-35, 1995 | 48 | 1995 |
| Music, radio and the public sphere: The aesthetics of democracy C Fairchild Springer, 2012 | 39 | 2012 |
| Music and persona: An introduction C Fairchild, PD Marshall Persona Studies 5 (1), 1-16, 2019 | 32 | 2019 |
| Social solidarity and constituency relationships in community radio C Fairchild Understanding community media, 23-31, 2010 | 30 | 2010 |
| Flow amid flux: the evolving uses of music in evening television drama C Fairchild Television & new media 12 (6), 491-512, 2011 | 25 | 2011 |
| Understanding the exhibitionary characteristics of popular music museums C Fairchild museum and society 15 (1), 87-99, 2017 | 21 | 2017 |
| 'Australian Idol'and the Attention Economy: The Attention Economy C Fairchild M/C Journal 7 (5), 2004 | 21 | 2004 |
| Popular music C Fairchild The cultural intermediaries reader 55, 125-133, 2014 | 16 | 2014 |
| Crowds, clouds, and idols: New dynamics and old agendas in the music industry, 1982-2012 C Fairchild American Music 33 (4), 441-476, 2015 | 14 | 2015 |
| Below the hamelin line: CKRZ and Aboriginal cultural survival C Fairchild Canadian Journal of Communication 23 (2), 1998 | 14 | 1998 |
| Danger Mouse's The Grey Album C Fairchild Danger Mouse's The Grey Album, 1-160, 2014 | 12 | 2014 |
| The medium and materials of popular music:‘Hound Dog’, turntablism and muzak as situated musical practices1 C Fairchild Popular music 27 (1), 99-116, 2008 | 11 | 2008 |
| Transcendent myths, mundane objects: setting the material scene in rock, soul, and country museums C Fairchild International Journal of Heritage Studies 24 (5), 477-490, 2018 | 10 | 2018 |
| The currency of collusion: the circulation and embrace of the ethic of authenticity in mediated musical communities C Fairchild Journal of Popular Music Studies 17 (3), 301, 2005 | 10 | 2005 |
| The Grinding Gears of a Neo-Liberal State Community Radio and Local Cultural Production C Fairchild Southern Review: Communication, Politics & Culture 39 (2), 61-76, 2006 | 9 | 2006 |
| The emergence and historical decay of the mash up C Fairchild Journal of popular music studies 29 (4), e12246, 2017 | 7 | 2017 |
