| Borderscaping: Imaginations and practices of border making C Brambilla, J Laine, G Bocchi Routledge, 2016 | 187 | 2016 |
| Selective realism: Filtering experiences of war and violence in first-and third-person shooters H Pötzsch Games and culture 12 (2), 156-178, 2017 | 106 | 2017 |
| Border aesthetics: Concepts and intersections J Schimanski, SF Wolfe Berghahn Books, 2017 | 105 | 2017 |
| The emergence of iBorder: Bordering bodies, networks, and machines H Pötzsch Environment and Planning D: Society and Space 33 (1), 101-118, 2015 | 105 | 2015 |
| Playing Cultural Memory: Framing History in Call of Duty: Black Ops and Czechoslovakia 38-89: Assassination H Pötzsch, V ©isler Games and Culture 14 (1), 3-25, 2019 | 86 | 2019 |
| Critical digital literacy: Technology in education beyond issues of user competence and labour-market qualifications H Pötzsch TripleC: Communication, Capitalism & Critique. Open Access Journal for a …, 2019 | 78 | 2019 |
| The emergence of iWar: Changing practices and perceptions of military engagement in a digital era H Pötzsch New Media & Society 17 (1), 78-95, 2015 | 44 | 2015 |
| Archives and identity in the context of social media and algorithmic analytics: Towards an understanding of iArchive and predictive retention H Pötzsch New Media & Society 20 (9), 3304-3322, 2018 | 43 | 2018 |
| In/visibility C Brambilla, H Pötzsch Border aesthetics: Concepts and intersections 3, 68, 2017 | 42 | 2017 |
| Playing games with Shklovsky, Brecht, and Boal: Ostranenie, v-effect, and spect-actors as analytical tools for game studies H Pötzsch IT-Universitetet i København, 2017 | 38 | 2017 |
| Borders, barriers and grievable lives H Pötzsch Nordicom Review 32 (2), 75-94, 2011 | 34 | 2011 |
| Posthumanism, technogenesis, and digital technologies: A conversation with N. Katherine Hayles H Pötzsch, NK Hayles Posthumanism, Technogenesis, and Digital Technologies: A Conversation with N …, 2019 | 31 | 2019 |
| Ubiquitous Absence H Pötzsch Nordicom Review 34 (1), 125-144, 2013 | 27 | 2013 |
| Framing narratives: Opening sequences in contemporary American and British war films H Pötzsch Media, War & Conflict 5 (2), 155-173, 2012 | 27 | 2012 |
| Materialist Perspectives on Digital Technologies H Pötzsch Nordicom Review 37 (1), 119-132, 2016 | 26 | 2016 |
| Critical digital literacy: Technology in education beyond issues of user competence and labour-market qualifications. TripleC, 17 (2), 221–240 H Pötzsch | 22 | 2019 |
| Renegotiating difficult pasts: Two documentary dramas on Bloody Sunday, Derry 1972 H Pötzsch Memory Studies 5 (2), 206-222, 2012 | 19 | 2012 |
| Challenging the border as barrier: Liminality in Terrence Malick's the thin red line H Pötzsch Journal of Borderlands Studies 25 (1), 67-80, 2010 | 18 | 2010 |
| Forms and practices of transgressivity in videogames: Aesthetics, play, and politics H Pötzsch | 16 | 2019 |
| Media matter H Pötzsch tripleC: Communication, Capitalism & Critique. Open Access Journal for a …, 2017 | 15 | 2017 |
Chiara BrambillaDipartimento di Scienze Umane e Sociali Università degli Studi di BergamoVerified email at unibg.it
