| ‘Happy to have been of service’: The Yale archive as a window into the engaged followership of participants in Milgram's ‘obedience’experiments SA Haslam, SD Reicher, K Millard, R McDonald British Journal of Social Psychology 54 (1), 55-83, 2015 | 120 | 2015 |
| Screenwriting in a digital era K Millard Springer, 2014 | 115 | 2014 |
| After the typewriter: the screenplay in a digital era K Millard Journal of screenwriting 1 (1), 11-25, 2010 | 82 | 2010 |
| Shock treatment: Using immersive digital realism to restage and re-examine Milgram’s ‘Obedience to Authority’research SA Haslam, SD Reicher, K Millard PloS one 10 (3), e109015, 2015 | 53 | 2015 |
| Writing for the screen: Beyond the gospel of story K Millard Scan: journal of media arts culture 3 (2), 2006 | 44 | 2006 |
| Revisioning obedience: Exploring the role of Milgram's skills as a filmmaker in bringing his shocking narrative to life K Millard Journal of Social Issues 70 (3), 439-455, 2014 | 34 | 2014 |
| The screenplay as prototype K Millard Analysing the screenplay, 156-171, 2010 | 31 | 2010 |
| The window in the laboratory K Millard Psychologist 24 (9), 658-660, 2011 | 19 | 2011 |
| Projected lives: a meditation on biography and cinematic space K Millard Screening the Past: Film and the Representation of History. Westport: Praeger, 1998 | 8 | 1998 |
| The universe is expanding. K Millard Journal of Screenwriting 7 (3), 2016 | 7 | 2016 |
| Writing with light: The screenplay and photography K Millard Journal of Screenwriting 4 (2), 123-134, 2013 | 5 | 2013 |
| An interview with Clara Laws K Millard Senses of cinema 2001 (13), 2001 | 5 | 2001 |
| Genius begins at home: Shared social identity enhances the recognition of creative performance NK Steffens, SA Haslam, MK Ryan, K Millard British Journal of Psychology 108 (4), 721-736, 2017 | 4 | 2017 |
| Shock room K Millard | 3 | 2015 |
| 14 Lessons on Screenwriting from Errol Morris K Millard, K Millard Screenwriting in a Digital Era, 63-76, 2014 | 3 | 2014 |
| The Design of writing: 29 observations K Millard, A Munt The Future of Writing, 90-103, 2014 | 3 | 2014 |
| Random 8 K Millard, S Macdonald, W Garrido, N Janaczewska | 3 | 2011 |
| Documentary in the age of the remix K Millard After the event: new perspectives on art history, 163-173, 2010 | 3 | 2010 |
| Writing and improvising the digital essay film: the boot cake K Millard Australian Screen Production Education and Research Association Conference, 2008 | 3 | 2008 |
| Travelling light K Millard | 3 | 2003 |
S Alexander HaslamLaureate Fellow and Professor of Psychology; University of QueenslandZweryfikowany adres z uq.edu.au
