| Grieg: Music, landscape and Norwegian identity DM Grimley Boydell Press, 2006 | 160 | 2006 |
| Carl Nielsen and the idea of modernism DM Grimley Boydell Press, 2010 | 62 | 2010 |
| Music, Landscape, Attunement: Listening to Sibelius's Tapiola DM Grimley Journal of the American Musicological Society 64 (2), 394-398, 2011 | 52 | 2011 |
| The Cambridge Companion to Elgar DM Grimley, J Rushton Cambridge University Press, 2004 | 37 | 2004 |
| Colloquy: ecomusicology AS Allen, DM Grimley, A Rehding, D Von Glahn, H Watkins Journal of the American Musicological Society 64 (2), 391-424, 2011 | 36 | 2011 |
| The Cambridge Companion to Sibelius DM Grimley Cambridge University Press, 2004 | 32 | 2004 |
| Landscape and distance: Vaughan Williams, modernism and the symphonic pastoral DM Grimley British Music and Modernism, 1895-1960, 147-174, 2017 | 29 | 2017 |
| The tone poems: genre, landscape and structural perspective DM Grimley The Cambridge Companion to Sibelius, 95-116, 2004 | 24 | 2004 |
| Delius and the Sound of Place DM Grimley Cambridge University Press, 2018 | 23 | 2018 |
| Hidden places: Hyper-realism in Björk’s Vespertine and Dancer in the Dark DM Grimley twentieth-century music 2 (1), 37-51, 2005 | 19 | 2005 |
| Music, Ice, and the “Geometry of Fear”: The Landscapes of Vaughan Williams's Sinfonia Antartica DM Grimley The Musical Quarterly 91 (1-2), 116-150, 2008 | 18 | 2008 |
| Jean Sibelius and his world DM Grimley Princeton University Press, 2011 | 16 | 2011 |
| Music, Landscape, and the Sound of Place: On Hearing Delius’s Song of the High Hills DM Grimley The Journal of Musicology 33 (1), 11-44, 2016 | 12 | 2016 |
| ‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music DM Grimley Music and Letters 86 (2), 202-233, 2005 | 12 | 2005 |
| ‘A smiling with a sigh’: the chamber music and works for strings DM Grimley na, 2004 | 12 | 2004 |
| Modernism and Closure: Nielsen's Fifth Symphony DM Grimley The Musical Quarterly 86 (1), 149-173, 2002 | 11 | 2002 |
| Horn calls and flattened sevenths: Nielsen and Danish Musical Style D Grimley Musical Constructions of Nationalism: Essays on the History and Ideology of …, 1998 | 11* | 1998 |
| “In the Mood:” Peer Gynt and the Affective Landscapes of Grieg's Stemninger, op. 73 DM Grimley 19th-Century Music 40 (2), 106-130, 2016 | 9 | 2016 |
| Organicism, Form and Structural Decay: Nielsen's Second Violin Sonata D Grimley Music Analysis 21 (2), 175-205, 2002 | 9 | 2002 |
| Symphony, antiphony: formal strategies in the twentiethcentury symphony D Grimley The Cambridge Companion to the Symphony, 285-310, 2011 | 8 | 2011 |
