Zombies in the academy: Living death in higher education A Whelan, R Walker, C Moore Intellect, 2013 | 96 | 2013 |
Sick bunnies and pocket dumps:“Not-selfies” and the genre of self-representation K Tiidenberg, A Whelan Popular Communication 15 (2), 141-153, 2017 | 57 | 2017 |
Academic critique of neoliberal academia AM Whelan | 52 | 2015 |
“Vaporwave is (not) a critique of capitalism”: Genre work in an online music scene R Nowak, A Whelan Open Cultural Studies 2 (1), 451-462, 2018 | 40 | 2018 |
'do u produce?': Subcultural Capital and Amateur Musicianship in Peer-to-Peer Networks AM Whelan | 40 | 2006 |
Networked music cultures: Contemporary approaches, emerging issues R Nowak, A Whelan Springer, 2016 | 26 | 2016 |
Breakcore: Identity and interaction on peer-to-peer A Whelan Cambridge Scholars Publishing, 2009 | 26 | 2009 |
“Ask for more time”: big data chronopolitics in the Australian welfare bureaucracy A Whelan Critical Sociology 46 (6), 867-880, 2020 | 25 | 2020 |
‘Ethical’artificial intelligence in the welfare state: Discourse and discrepancy in Australian social services A James, A Whelan Critical Social Policy 42 (1), 22-42, 2022 | 22 | 2022 |
Labeling as a social practice in online consumption communities A Dinhopl, U Gretzel, A Whelan Psychology & Marketing 32 (3), 240-249, 2015 | 18 | 2015 |
Ethics are admin: Australian human research ethics review forms as (un) ethical actors A Whelan Social Media+ Society 4 (2), 2056305118768815, 2018 | 17 | 2018 |
Even with cruise control you still have to steer: defining trolling to get things done AM Whelan | 17 | 2013 |
“Not like that, not for that, not by them”: social media affordances of critique K Tiidenberg, A Whelan Communication and Critical/Cultural Studies 16 (2), 83-102, 2019 | 15 | 2019 |
Invasion of the aca-zombies J Gora, A Whelan The Australian Higher Education Supplement 3, 2010 | 14 | 2010 |
On the 15-year anniversary of Napster-Digital music as boundary object R Nowak, A Whelan First Monday, 2014 | 12 | 2014 |
“Do You Have a Moment to Talk About Vaporwave?” Technology, Memory, and Critique in the Writing on an Online Music Scene A Whelan Popular Music, Technology, and the Changing Media Ecosystem: From Cassettes …, 2020 | 10 | 2020 |
The digital music boundary object R Nowak, A Whelan Networked Music Cultures: Contemporary Approaches, Emerging Issues, 113-131, 2016 | 10 | 2016 |
The" Amen" Breakbeat as Fratriarchal Totem AM Whelan | 10 | 2009 |
Free music and trash culture: The reconfiguration of musical value online AM Whelan | 8 | 2010 |
‘Re-mediating’the ruptures of migration: the use of internet and mobile phones in migrant women’s organizations in Ireland CD Tona, A Whelan | 8 | 2009 |