| “I could a tale unfold...”: From metatheatre to metacinema: films within the films in Shakespeare on screen A Rasmus Cadernos de traduçao 1 (7), 147-168, 2001 | 16 | 2001 |
| Against and Beyond: Subversion and Transgression in Mass Media, Popular Culture and Performance M Cieslak, A Rasmus Cambridge Scholars Publishing, 2012 | 10 | 2012 |
| Filming Shakespeare, from metatheatre to metacinema A Rasmus (No Title), 2008 | 8 | 2008 |
| What bloody film is this? Macbeth for our time A Rasmus Multicultural Shakespeare: Translation, Appropriation and Performance 18 (1 …, 2018 | 5 | 2018 |
| Holding a Mirror up to Nature? Adapting The Taming of the Shrew for Teenagers and Pedagogy A Rasmus Multicultural Shakespeare: Translation, Appropriation and Performance 12 (1 …, 2015 | 2 | 2015 |
| ‘I Know Where I’ve Seen You Before!’: Hollywood Remakes of British Films, from DVD Box Sets to the Online Debate A Rasmus Serial Narratives, LWU 47, 1-2, 2014 | 2 | 2014 |
| Crossing Frontiers, Staking Out New Territories: Hollywood Remaking British Crime Locations in Get Carter A Rasmus Crossroads in Literature and Culture, 493-503, 2012 | 2 | 2012 |
| Same but Different: Comparing Transgression in Sleuth A Rasmus The Visual and the Verbal in Film, Drama, Literature and Biography, 29-42, 2012 | 2 | 2012 |
| Images of the City A Rasmus, M Cieslak Cambridge Scholars Publishing, 2009 | 2 | 2009 |
| Please Continue (Hamlet) A Rasmus MULTICULTURAL SHAKESPEARE-TRANSLATION APPROPRIATION AND PERFORMANCE 13 (1 …, 2016 | 1 | 2016 |
| Łódź Szekspirowi w 450. rocznicę urodzin K Kujawińska Courtney, M Sosnowska, M Cieślak, A Rasmus Łódzkie Towarzystwo Naukowe, 2014 | 1 | 2014 |
| King Richard III M Cieślak, A Rasmus Shakespeare Bulletin 31 (3), 494-499, 2013 | 1 | 2013 |
| “I know where I’ve seen you before!” Remaking Gender, Class, Nationality and Politics from The Lady Vanishes (1938) into Flightplan (2005) A Rasmus Ekphrasis. Images, Cinema, Theory, Media 10 (2), 26-38, 2013 | 1 | 2013 |
| “Cobra Kai never dies”: Rebooting The Karate Kid Franchise for a 21st-Century YouTube and Netflix Audience A Rasmus Adaptation and Beyond: Hybrid Transtextualities, 123, 2023 | | 2023 |
| From Devilish Masters to Evil Dames: Bedazzled and The Wicker Man A Rasmus Hollywood Remakes of Iconic British Films, 99-132, 2022 | | 2022 |
| Hollywood Remakes of Iconic British Films: Class, Gender and Stardom A Rasmus Edinburgh University Press, 2022 | | 2022 |
| Hollywood remakes of British films: A case of cross-pollination A Rasmus Journal of Adaptation in Film & Performance 14 (1), 53-63, 2021 | | 2021 |
| 2.3 Raising Caine A Rasmus Exploring Seriality on Screen: Audiovisual Narratives in Film and Television, 2020 | | 2020 |
| Łódź Celebrates Ira Aldridge (1807-1867) the First Black Shakespeare Tragedian K Kujawińska Courtney, M Cieślak, A Rasmus, M Sosnowska, ... Wydawnictwo Uniwersytetu Łódzkiego, 2019 | | 2019 |
| Theatre Reviews X Georgopoulou, A Rasmus, S Tonn Multicultural Shakespeare: Translation, Appropriation and Performance 17 (32 …, 2018 | | 2018 |
krystyna Kujawinska CourtneyUniwersytet LodzkiZweryfikowany adres z uni.lodz.pl
