| # MasculinitySoFragile: Culture, structure, and networked misogyny S Banet-Weiser, KM Miltner Feminist media studies 16 (1), 171-174, 2016 | 621 | 2016 |
| Big Data| critiquing Big Data: Politics, ethics, epistemology| special section introduction K Crawford, ML Gray, K Miltner International Journal of Communication 8, 10, 2014 | 445 | 2014 |
| “There’s no place for lulz on LOLCats”: The role of genre, gender, and group identity in the interpretation and enjoyment of an Internet meme KM Miltner First Monday, 2014 | 357 | 2014 |
| Never gonna GIF you up: Analyzing the cultural significance of the animated GIF KM Miltner, T Highfield Social Media+ Society 3 (3), 2056305117725223, 2017 | 240 | 2017 |
| Histories of hating T Shepherd, A Harvey, T Jordan, S Srauy, K Miltner Social Media+ Society 1 (2), 2056305115603997, 2015 | 159 | 2015 |
| Internet memes KM Miltner The SAGE handbook of social media 55, 412-428, 2018 | 155 | 2018 |
| Put down that phone and talk to me: Understanding the roles of mobile phone norm adherence and similarity in relationships JA Hall, NK Baym, KM Miltner Mobile Media & Communication 2 (2), 134-153, 2014 | 107 | 2014 |
| Selfies| the Selfie of the Year of the Selfie: Reflections on a Media Scandal KM Miltner, NK Baym International Journal of Communication 9, 15, 2015 | 71 | 2015 |
| Srsly phenomenal: An investigation into the appeal of LOLcats K Miltner Unpublished master’s dissertation). London School of Economics, London, UK …, 2011 | 70 | 2011 |
| Policing “fake” femininity: Authenticity, accountability, and influencer antifandom BE Duffy, KM Miltner, A Wahlstedt New Media & Society 24 (7), 1657-1676, 2022 | 44 | 2022 |
| “One part politics, one part technology, one part history”: Racial representation in the Unicode 7.0 emoji set KM Miltner New Media & Society 23 (3), 515-534, 2021 | 33 | 2021 |
| “Tom had us all doing front-end web development”: a nostalgic (re) imagining of Myspace KM Miltner, Y Gerrard Internet Histories 6 (1-2), 48-67, 2022 | 24 | 2022 |
| Girls Who Coded: Gender in Twentieth Century U.K. and U.S. Computing KM Miltner Science, Technology, & Human Values 1 (16), 2018 | 20 | 2018 |
| ‘One part politics, one part technology, one part history’: The construction of the emoji set in Unicode 7.0 K Miltner New Media & Society 23, 515-534, 2015 | 9 | 2015 |
| The Meme Election: Clicktivism, the Buzzfeed Effect and Corporate Meme-Jacking W Phillips, K Miltner The Awl, 2012 | 8 | 2012 |
| Everything Old Is New Again: A Comparison of Midcentury American EDP Schools and Contemporary Coding Bootcamps KM Miltner Information & Culture 57 (3), 255-282, 2022 | 4 | 2022 |
| Platformed solidarity: Examining the performative politics of Twitter hashflags T Highfield, KM Miltner Convergence 29 (6), 1641-1667, 2023 | 3 | 2023 |
| RuPaul’s Drag Race keyboard: Affect and resistance through visual communication K Miltner Appified: Culture in the age of apps, 289-298, 2018 | 3 | 2018 |
| Taking a second look at the learn-to-code craze K Miltner Parenting for a Digital Future, 2018 | 3 | 2018 |
| “Chinese Elm 1030595...(or can I call you Dale??)”: Communication and representation in mediated encounters with nonhuman others S Altrudi, C Dunbar-Hester, KM Miltner New Media & Society 24 (10), 2291-2310, 2022 | 2 | 2022 |
Tim HighfieldLecturer in Digital Media and Society, University of SheffieldVerified email at sheffield.ac.uk
