| Is artification perceived by consumers of luxury products? The research relevance of a customer-based brand equity model S Masè, E Cedrola, G Cohen-Cheminet Journal of Global Fashion Marketing 9 (3), 223-236, 2018 | 16 | 2018 |
| Multivariate statistical analysis of artification effect on customer-based brand equity in luxury brands S Masè, E Cedrola, C Davino, G Cohen-Cheminet International Journal of Arts Management 22 (3), 55-66, 2020 | 13 | 2020 |
| Repetto, a Paris-based craft enterprise growing into a global brand: design-driven innovation and meaning strategy S Masè, G Cohen-Cheminet Product Innovation in the Global Fashion Industry, 113-142, 2018 | 3 | 2018 |
| Serial Rhythm in Charles Reznikoff's Poetry: A Tentative'Misreading' G Cohen-Cheminet Sagetrieb 13 (1–2), 83, 1992 | 3 | 1992 |
| Artification Processes for Major Luxury Brands: Art-Based Mangement for Branding Purposes S Masè, G Cohen-Cheminet, E Cedrola GLOBAL FASHION MANAGEMENT CONFERENCE PROCEEDING, 348-353, 2019 | 2 | 2019 |
| Is the Artification process perceived by final consumers of luxury products? Results from an experiment based on the application of the Customer-based Brand Equity Model E Cedrola, G Cohen-Cheminet, S Masé Global Fashion Management Conference, 323-328, 2017 | 2 | 2017 |
| Charles Reznikoff: New World Poetics G Cohen-Cheminet Strategies of Difference: Case Studies in Poetic Composition, 122-45, 1998 | 2 | 1998 |
| The Reserve of Poetry. Graphic Matter, Material and Medium in Lorine Niedecker’s Next Year/or/I fly my rounds, Tempestuous (1934) G Cohen-Cheminet Sillages critiques, 2016 | 1 | 2016 |
| La lettre et l'archive. Fourteen Stations, a digital installation de Jerome Rothenberg et Arie Galles G Cohen-Cheminet Sillages critiques, 173-201, 2006 | 1 | 2006 |
| «Poems for the millennium»: Jerome Rothenberg et Pierre Joris lisent Charles Reznikoff G Cohen-Cheminet Cahiers Charles V 34 (1), 119-136, 2003 | 1 | 2003 |
| Silences et exil de la parole dans" The Cannibal Galaxy" de Cynthia Ozick G Cohen-Cheminet Études Anglaises 47 (1), 43, 1994 | 1 | 1994 |
| Art for Marketing, Marketing for the Arts: A 30‐Year‐Long Relationship via the Art‐based management perspective S Masè, E Cedrola, G Cohen‐Cheminet, P Sharma European Academy of Marketing (EMAC) Annual Conference, 2019 | | 2019 |
| Art-based secondary associations for luxury brands S Masè, E Cedrola, C DAvino, G Cohen-Cheminet LUXURY, THE ART OF CREATING EMOTIONS IN A FAST MOVING & GLOBAL WORLD, 1-18, 2018 | | 2018 |
| Consumers Reaction to Artification S Masé, E Cedrola, C Davino, G Cohen-Cheminet Proceedings EMAC 2018, 1-7, 2018 | | 2018 |
| Is Artification Perceived by Consumers of luxury products? The research relevance of a customer-based brand equity model. P223-236 E Cedrola, G Cohen-Cheminet HAL, 2018 | | 2018 |
| Is the artification process perceveid by final cosumers of luxury products? Results from an experiment based on the application of the Customer-based Equity Model. S Mase, E Cedrola, G Cohen-Cheminet Conference SIMkta-GAMMA Joint Symposium, Global Fashion Management Conference, 2017 | | 2017 |
| Cordié Lévy, Marie, L’autoportrait photographique américain (1839-1939). Paris, Mare&Martin, 2014, 292 pages, ISBN 978-2-84934-159-9, 25€ G Cohen-Cheminet Sillages critiques, 2016 | | 2016 |
| Le aziende del lusso a sostegno dell’arte: una visione strategica della relazione arte e impresa E Cedrola, S Mase, CC Geneviève Il Marketing al servizio delle città. Beni culturali e rivitalizzazione …, 2015 | | 2015 |
| La matérialisation de la marge dans la poésie américaine contemporaine G Cohen-Cheminet Etudes anglaises, 217-234, 2012 | | 2012 |
| Introduction.‘Ecrire après sans écrire comme’ G Cohen-Cheminet Sillages critiques, 2012 | | 2012 |
