Brian Yecies
Brian Yecies
Associate Professor, Communication and Media, University of Wollongong
Zweryfikowany adres z uow.edu.au
TytułCytowane przezRok
Korea's Occupied Cinemas, 1893-1948: The Untold History of the Film Industry
B Yecies, AG Shim
Routledge, 2012
522012
Mining Chinese social media UGC: a big-data framework for analyzing Douban movie reviews
J Yang, B Yecies
Journal of Big Data 3 (1), 3, 2016
352016
The changing face of Korean cinema: 1960 to 2015
B Yecies, A Shim
Routledge, 2015
302015
Parleying culture against trade: hollywood’s affairs with Korea’s screen quotas
BM Yecies
272007
Systematization of film censorship in colonial Korea: profiteering from Hollywood's first golden age, 1926-1936
B Yecies
Journal of Korean Studies 10 (1), 59-83, 2005
252005
Sounds of celluloid dreams: Coming of the talkies to cinema in colonial Korea
B Yecies
162008
The Chinese–Korean co-production pact: collaborative encounters and the accelerating expansion of Chinese cinema
B Yecies
International Journal of Cultural Policy 22 (5), 770-786, 2016
142016
Planet hallyuwood's political vulnerabilities: censuring the expression of satire in the President's last bang (2005)
BM Yecies
142008
Contemporary Korean cinema: Challenges and the transformation of ‘Planet Hallyuwood’
B Yecies, AG Shim
122011
Digital intermediary: Korean transnational cinema
B Yecies, AG Shim, B Goldsmith
Media International Australia 141 (1), 137-145, 2011
112011
Lost Memories of Korean Cinema: Film Policies During Japanese Colonial Rule, 1919-1937
B Yecies, AG Shim
Asian Cinema 14 (2), 75-90, 2003
102003
Willing collaborators foreign partners in Chinese media
M Keane, T Flew, B Yecies
Media, Culture and Communication in Asia-Pacific Societies, 2018
92018
In search of the Korean digital wave
B Goldsmith, KS Lee, B Yecies
Media International Australia 141 (1), 70-77, 2011
92011
Transnational collaboration of the multisensory kind: exploiting Korean 4D cinema in China
B Yecies
Media International Australia 159 (1), 22-31, 2016
72016
Inroads for cultural traffic: breeding korea’s cinematiger
BM Yecies
72010
Korean–Chinese Film Remakes in a New Age of Cultural Globalisation: Miss Granny (2014) and 20 Once Again (2015) along the Digital Road
K Soh, B Yecies
Global Media and China 2 (1), 74-89, 2017
62017
The Douban online social media barometer and the Chinese reception of Korean popular culture flows
B Yecies, J Yang, AG Shim, KR Soh, MJ Berryman
62016
Projecting Sounds of Modernity: The Rise of the Local ‘Talkie’Technology in the Australian Cinema, 1924–1932
B Yecies
Australian Historical Studies 35 (123), 54-83, 2004
62004
Hallyuwood Down Under: The New Korean Cinema and Australia, 1996-2007
B Yecies, AG Shim
Screening the Past 22 (Tenth Anniversary issue), 1-9, 2007
52007
Transformative Soundscapes: Innovating De Forest Phonofilms Talkies in Australia
BM Yecies
52005
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