Brian Yecies
Brian Yecies
Associate Professor, Communication and Media, University of Wollongong
Zweryfikowany adres z uow.edu.au
Tytuł
Cytowane przez
Cytowane przez
Rok
Korea's Occupied Cinemas, 1893-1948: The Untold History of the Film Industry
B Yecies, AG Shim
Routledge, 2012
522012
Mining Chinese social media UGC: a big-data framework for analyzing Douban movie reviews
J Yang, B Yecies
Journal of Big Data 3 (1), 3, 2016
352016
The changing face of Korean cinema: 1960 to 2015
B Yecies, A Shim
Routledge, 2015
342015
Parleying culture against trade: hollywood’s affairs with Korea’s screen quotas
BM Yecies
292007
Systematization of Film Censorship in Colonial Korea: Profiteering from Hollywood’s First Golden Age, 1926–1936
B Yecies
Journal of Korean Studies 10 (1), 59-83, 2005
272005
The Chinese–Korean co-production pact: Collaborative encounters and the accelerating expansion of Chinese cinema
B Yecies
International Journal of Cultural Policy 22 (5), 770-786, 2016
212016
Sounds of celluloid dreams: Coming of the talkies to cinema in colonial Korea
B Yecies
162008
Contemporary Korean cinema: Challenges and the transformation of ‘Planet Hallyuwood’
B Yecies, AG Shim
142011
Planet hallyuwood's political vulnerabilities: censuring the expression of satire in the President's last bang (2005)
BM Yecies
142008
Digital intermediary: Korean transnational cinema
B Yecies, AG Shim, B Goldsmith
Media International Australia 141 (1), 137-145, 2011
132011
Willing collaborators: Foreign partners in Chinese media
M Keane, B Yecies, T Flew
Rowman & Littlefield, 2018
122018
Lost Memories of Korean Cinema: Film Policies During Japanese Colonial Rule, 1919-1937
B Yecies, AG Shim
Asian Cinema 14 (2), 75-90, 2003
122003
The Douban online social media barometer and the Chinese reception of Korean popular culture flows
B Yecies, J Yang, AG Shim, KR Soh, MJ Berryman
112016
In search of the Korean digital wave
B Goldsmith, KS Lee, B Yecies
Media International Australia 141 (1), 70-77, 2011
112011
Korean–Chinese Film Remakes in a New Age of Cultural Globalisation: Miss Granny (2014) and 20 Once Again (2015) along the Digital Road
K Soh, B Yecies
Global Media and China 2 (1), 74-89, 2017
102017
Transnational collaboration of the multisensory kind: exploiting Korean 4D cinema in China
B Yecies
Media International Australia 159 (1), 22-31, 2016
82016
Asian interchange: Korean-Hong Kong co-productions of the 1960s
AG Shim, B Yecies
Journal of Japanese and Korean Cinema 4 (1), 15-28, 2012
72012
Inroads for cultural traffic: breeding korea’s cinematiger
BM Yecies
72010
Chinese transnational cinema and the collaborative tilt toward South Korea
B Yecies
Handbook of cultural and creative industries in China, 2016
62016
East Asian audio-visual collaboration and the global expansion of Chinese media
B Yecies, M Keane, T Flew
Media International Australia 159 (1), 7-12, 2016
62016
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