Guido Orgs
Guido Orgs
Institute of Cognitive Neuroscience, University College London
Zweryfikowany adres z ucl.ac.uk - Strona główna
Cytowane przez
Cytowane przez
Expertise in dance modulates alpha/beta event‐related desynchronization during action observation
G Orgs, JH Dombrowski, M Heil, P Jansen‐Osmann
European Journal of Neuroscience 27 (12), 3380-3384, 2008
Extrastriate body area underlies aesthetic evaluation of body stimuli
B Calvo-Merino, C Urgesi, G Orgs, SM Aglioti, P Haggard
Experimental brain research 204, 447-456, 2010
Ready steady slow: action preparation slows the subjective passage of time
N Hagura, R Kanai, G Orgs, P Haggard
Proceedings of the Royal Society B: Biological Sciences 279 (1746), 4399-4406, 2012
Conceptual priming for environmental sounds and words: An ERP study
G Orgs, K Lange, JH Dombrowski, M Heil
Brain and cognition 62 (3), 267-272, 2006
Joint action aesthetics
S Vicary, M Sperling, J Von Zimmermann, DC Richardson, G Orgs
Plos one 12 (7), e0180101, 2017
Effects of auditory stimuli on electrical activity in the brain during cycle ergometry
M Bigliassi, CI Karageorghis, MJ Wright, G Orgs, AV Nowicky
Physiology & behavior 177, 135-147, 2017
Learning to like it: aesthetic perception of bodies, movements and choreographic structure
G Orgs, N Hagura, P Haggard
Consciousness and Cognition 22 (2), 603-612, 2013
Towards a neurocognitive approach to dance movement therapy for mental health: A systematic review
LSM Millman, DB Terhune, ECM Hunter, G Orgs
Clinical Psychology & Psychotherapy 28 (1), 24-38, 2021
From body form to biological motion: the apparent velocity of human movement biases subjective time
G Orgs, S Bestmann, F Schuur, P Haggard
Psychological science 22 (6), 712-717, 2011
The choreography of group affiliation
J von Zimmermann, S Vicary, M Sperling, G Orgs, DC Richardson
Topics in Cognitive Science 10 (1), 80-94, 2018
Cerebral mechanisms underlying the effects of music during a fatiguing isometric ankle‐dorsiflexion task
M Bigliassi, CI Karageorghis, AV Nowicky, G Orgs, MJ Wright
Psychophysiology 53 (10), 1472-1483, 2016
Timing is everything: Dance aesthetics depend on the complexity of movement kinematics
A Orlandi, ES Cross, G Orgs
Cognition 205, 104446, 2020
Constructing visual perception of body movement with the motor cortex
G Orgs, A Dovern, N Hagura, P Haggard, GR Fink, PH Weiss
Cerebral Cortex 26 (1), 440-449, 2016
Is conceptual priming for environmental sounds obligatory?
G Orgs, K Lange, JH Dombrowski, M Heil
International Journal of Psychophysiology 65 (2), 162-166, 2007
Sensing interpersonal synchrony between actors and autistic children in theatre using wrist-worn accelerometers
JA Ward, D Richardson, G Orgs, K Hunter, A Hamilton
Proceedings of the 2018 ACM international symposium on wearable computers …, 2018
N400-effects to task-irrelevant environmental sounds: Further evidence for obligatory conceptual processing
G Orgs, K Lange, JH Dombrowski, M Heil
Neuroscience Letters 436 (2), 133-137, 2008
You move, I watch, it matters: Aesthetic communication in dance
G Orgs, D Caspersen, P Haggard
Cambridge University Press, 2016
The Goldsmiths Dance Sophistication Index (Gold-DSI): A psychometric tool to assess individual differences in dance experience.
D Rose, D Müllensiefen, P Lovatt, G Orgs
Psychology of Aesthetics, Creativity, and the Arts 16 (4), 733, 2022
The level of reaction time determines the ERP correlates of auditory negative priming
S Mayr, M Niedeggen, A Buchner, G Orgs
Journal of Psychophysiology 20 (3), 186-194, 2006
Effects of auditory distraction on voluntary movements: exploring the underlying mechanisms associated with parallel processing
M Bigliassi, CI Karageorghis, AV Nowicky, MJ Wright, G Orgs
Psychological research 82, 720-733, 2018
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